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Related objects for NG.K&H.1970.0084.
Showing 30 of 9998 indexed objects


"The Man on the Rack" by Giovanni Battista Piranesi, an etching depicting a man being tortured on a rack in a dark dungeon-like environment with detailed stonework and arches, surrounded by obscure figures. The image has stark contrasts between light and shadow, providing a sense of depth and texture in a monochromatic palette.

The Man on the Rack

Giovanni Battista Piranesi

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Relevance Score: 1.0000

"Prisoners on a Projecting Platform" by Giovanni Battista Piranesi, an etching depicting a group of figures on a wooden platform in a vast, vaulted cavernous space with heavy arches and a dynamic interplay of shadow and light.

Prisoners on a Projecting Platform

Giovanni Battista Piranesi

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Relevance Score: 0.9586

Etching by Giovanni Battista Piranesi titled "The Pier with a Lamp," depicting a cylindrical pier with a lamp atop, surrounded by dark, vaulted ceilings and archways in shades of black, white, and gray. The artwork conveys a sense of classic architectural grandeur through its dramatic use of light and shadow.

The Pier with a Lamp

Giovanni Battista Piranesi

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Relevance Score: 0.9586

"The Lion Bas Reliefs" by Giovanni Battista Piranesi, a detailed monochromatic etching depicting an imagined scene of classical ruins with arches, columns, and a lion bas relief, in varying shades of gray that evoke texture and depth.

The Lion Bas Reliefs

Giovanni Battista Piranesi

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Relevance Score: 0.9552

An etching by Giovanni Battista Piranesi titled "Remains of the Neronian Arches on the Caelian Hill," depicting a series of ancient, weathered arches in varying states of ruin with scattered figures of people for scale, rendered in fine lines and shades of gray.

Remains of the Neronian Arches on the Caelian Hill

Giovanni Battista Piranesi

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Relevance Score: 0.9544

"The Pier with Chains" by Giovanni Battista Piranesi, a monochromatic etching depicting a classical quayside scene with heavy chains, architectural ruins, and various objects on the pier, using a rich contrast of light and shadow to convey depth and texture.

The Pier with Chains

Giovanni Battista Piranesi

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Relevance Score: 0.9534

"Grotto of the Nymph Egeria, commonly called La Cafarella," an etching by Giovanni Battista Piranesi, showing a romantic view of an ancient Roman archway and surrounding ruins in a pastoral setting, with a single leafless tree to the right, executed in monochromatic shades of gray.

Grotto of the Nymph Egeria, commonly called La Cafarella

Giovanni Battista Piranesi

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Relevance Score: 0.9527

An etching titled "View of the remains of the Amphitheatrum Castrense" by Giovanni Battista Piranesi, depicting the intricate ruins of a Roman amphitheater with arches and crumbling walls, surrounded by vegetation, under a moody, cloud-filled sky. Shades of gray enhance the textures and depth, with a framed border around the artwork on paper.

View of the remains of the Amphitheatrum Castrense

Giovanni Battista Piranesi

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Relevance Score: 0.9520

An etching by Giovanni Battista Piranesi titled "View of the remains of the peristyle of the House of Nero" on paper. The work shows an evocative scene of ancient Roman architectural ruins with various columns, arches, and remnants of buildings portrayed in detailed lines and shades of gray. The light source from the upper right creates a dramatic contrast between the illuminated and shaded portions of the structures.

View of the remains of the peristyle of the House of Nero

Giovanni Battista Piranesi

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Relevance Score: 0.9518

Black and white etching by Giovanni Battista Piranesi titled "View of the remains of the side colonnade of the Temple of Antoninus Pius," depicting an ancient Roman ruin with detailed columns and arches, with a dramatic interplay of light and shadow conveying depth and texture.

View of the remains of the side colonnade of the Temple of Antoninus Pius

Giovanni Battista Piranesi

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Relevance Score: 0.9516

An etching titled "Remains of the Temple of Castor and Pollux" by Giovanni Battista Piranesi, depicting the resilient columns and ruins of the ancient temple surrounded by trees and foliage, under a sky filled with expressive clouds

Remains of the Temple of Castor and Pollux

Giovanni Battista Piranesi

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Relevance Score: 0.9515

Etching by Giovanni Battista Piranesi titled "View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia," depicting Roman architectural ruins with cascading arches, broken columns, and overgrown vegetation, rendered in shades of black and gray on paper.

View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia...

Giovanni Battista Piranesi

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Relevance Score: 0.9500

Etching by Giovanni Battista Piranesi depicting the crumbling ruins of the ancient Temple of Minerva Medica in varying shades of gray, with intricate details of broken columns and a partially collapsed dome against a softly shaded background suggesting sky and clouds.

Remains of the Temple of Minerva Medica

Giovanni Battista Piranesi

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Relevance Score: 0.9499

An etching by Giovanni Battista Piranesi titled "Remains of a room belonging to the Praetorian Fort at Hadrian's Villa," depicting the ruins of a Roman structure with scattered stone blocks in the foreground, a partial wall with a doorway on the left, and a row of towering arches on the right, all rendered in shades of gray to show depth and texture.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa

Giovanni Battista Piranesi

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Relevance Score: 0.9495

Etching titled "Tomb of the Scipios" by Giovanni Battista Piranesi, featuring an ancient round tomb with arched openings set on a hillside amidst a wild landscape with figures, rendered in monochrome with detailed lines and contrasting shades of black and gray.

Tomb of the Scipios

Giovanni Battista Piranesi

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Relevance Score: 0.9493

An etching by Giovanni Battista Piranesi titled "One of the two arches of Stertinius in the Forum Boarium," showcasing a detailed and shadowed Roman arch in ruins amidst other ancient structures, rendered in shades of gray on paper, capturing the essence of historical decay with dramatic light effects.

One of the two arches of Stertinius in the Forum Boarium

Giovanni Battista Piranesi

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Relevance Score: 0.9487

Black and white etching titled "Remains of the arches of the aqueduct which carried the Acqua Claudia" by Giovanni Battista Piranesi, depicting the ruins of an ancient aqueduct amidst a landscape with trees and small figures for scale, in exquisite grayscale detail.

Remains of the arches of the aqueduct which carried the Acqua Claudia ...

Giovanni Battista Piranesi

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Relevance Score: 0.9487

An etching by Francisco de Goya titled "It is nicely stretched", depicting a figure bending over to smooth out a white sheet on a flat surface, under the watchful eye of a shadowy figure in the background, rendered in grayscale with rich contrasts and intricate details.

It is nicely streched

Francisco de Goya

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Relevance Score: 0.9485

An etching by Giovanni Battista Piranesi, "View of part of the upper hemicycle of Trajan's Forum," featuring detailed Roman ruins with diminishing arches and architectural fragments, with a more intact multi-leveled structure above, in black and white, evoking the grandeur and decay of ancient Rome.

View of part of the upper hemicycle of Trajan' Forum

Giovanni Battista Piranesi

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Relevance Score: 0.9485

"View of the Ponte Rotto," an etching by Giovanni Battista Piranesi, depicting the remnants and single surviving arch of the ancient Roman bridge, Pons Aemilius, in a fine grayscale with detailed shadowing and varied textures to convey a sense of age and dilapidation against a backdrop of delicate clouds.

View of the Ponte Rotto

Giovanni Battista Piranesi

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Relevance Score: 0.9477

Monochromatic etching by Giovanni Battista Piranesi titled "Interior view of the Pantheon" featuring the iconic coffered dome with a central oculus, large columns, a checkered marble floor, and a few figures, all rendered in varying shades of grey to illustrate depth and texture.

Interior view of the Pantheon

Giovanni Battista Piranesi

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Relevance Score: 0.9475

Etching by Giovanni Battista Piranesi titled "View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus" depicting the dramatic, shadowy ruins of an ancient Roman building with fragmented columns and arches, presented in a central rectangle on a sheet of paper with inscriptions below.

View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus

Giovanni Battista Piranesi

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Relevance Score: 0.9466

"Tantalus" by Francisco de Goya, an etching on paper showing two figures in a state of distress, set against a plain background. The artwork is monochromatic, capturing a sense of despair through detailed expressions and dynamic poses.

Tantalus

Francisco de Goya

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Relevance Score: 0.9462

An etching by Francisco de Goya entitled "What madness!" displaying a monochromatic scene with a central figure in a tumultuous setting, surrounded by characters enveloped in shadow, executed in shades of brown and gray on paper.

What madness!

Francisco de Goya

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Relevance Score: 0.9462

"L'estrapade" by Jacques Callot is an intricate black and white etching on paper by artist Jacques Callot depicting a crowded public scene in front of a cityscape with varied architecture, where townspeople gather around a tall structure in the center, likely observing a public event or spectacle.

L'estrapade

Jacques Callot

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Relevance Score: 0.9461

Etching by Giovanni Battista Piranesi titled "View of the remains of the arches which carried the Acqua Claudia along the Aventine," depicting ruined arches of an ancient aqueduct amongst overgrown foliage in a grayscale palette, showcasing a contrast between former architectural grandeur and natural decay.

View of the remains of the arches which carried the Acqua Claudia along the Aventine...

Giovanni Battista Piranesi

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Relevance Score: 0.9456

Etching by Giovanni Battista Piranesi, titled "View of the remains of the Baths of Diocletian and Maximian," showing the detailed ruins of an ancient Roman bath complex with large standing walls, arches, and scattered rubble in various shades of gray, created through meticulous line work and shadowing to convey texture and depth.

View of the remains of the Baths of Diocletian and Maximian

Giovanni Battista Piranesi

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Relevance Score: 0.9455

Monochrome etching by Giovanni Battista Piranesi, "The small church of S. Carlo at the Four Fountains," showing a baroque church with an elaborate facade, beside a row of period buildings, using shades of grey to depict light and shadow, and conveying a historical urban scene.

The small church of S. Carlo at the Four Fountains

Giovanni Battista Piranesi

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Relevance Score: 0.9452

An etching by Pablo Picasso titled "Mise en scène de La Célestine: Le gentilhomme est entraîné vers le bouge," depicting a complex, monochromatic scene with multiple figures, highlighting a central male figure seemingly being led into a room, surrounded by dense, expressive linework suggesting a narrative of temptation and emotional tension.

Mise en scène de La Célestine: Le gentilhomme est entraîné vers le bouge

Pablo Picasso

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Relevance Score: 0.9452

An etching by Francisco de Goya titled "This is how it happened!", showing a figure in historical clothing bent forward in despair in the foreground, with a group of observers in the background to the left, set against a monochromatic brown, tan, and sepia backdrop. The technique suggests a depth and texture characteristic of Goya's traditional etching methods.

This is how it happened!

Francisco de Goya

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Relevance Score: 0.9449