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Related objects for NG.K&H.1966.0147.
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 An etching titled "View of the remains of the Amphitheatrum Castrense" by Giovanni Battista Piranesi, depicting the intricate ruins of a Roman amphitheater with arches and crumbling walls, surrounded by vegetation, under a moody, cloud-filled sky. Shades of gray enhance the textures and depth, with a framed border around the artwork on paper.

View of the remains of the Amphitheatrum Castrense

Giovanni Battista Piranesi

Relevance Score: 1.0000

 An etching titled "View of the interior of the Flavian Amphitheatre" by Giovanni Battista Piranesi, showcasing the detailed and textured ruins of the Colosseum with a dramatic contrast between the darkened interior foreground and the lighter arches and upper levels in the background, all presented in grayscale.

View of the interior of the Flavian Amphitheatre

Giovanni Battista Piranesi

Relevance Score: 0.9711

 An etching by Giovanni Battista Piranesi titled "One of the two arches of Stertinius in the Forum Boarium," showcasing a detailed and shadowed Roman arch in ruins amidst other ancient structures, rendered in shades of gray on paper, capturing the essence of historical decay with dramatic light effects.

One of the two arches of Stertinius in the Forum Boarium

Giovanni Battista Piranesi

Relevance Score: 0.9702

 An etching titled "Remains of the Temple of Castor and Pollux" by Giovanni Battista Piranesi, depicting the resilient columns and ruins of the ancient temple surrounded by trees and foliage, under a sky filled with expressive clouds

Remains of the Temple of Castor and Pollux

Giovanni Battista Piranesi

Relevance Score: 0.9690

 Etching by Giovanni Battista Piranesi titled "View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus" depicting the dramatic, shadowy ruins of an ancient Roman building with fragmented columns and arches, presented in a central rectangle on a sheet of paper with inscriptions below.

View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus

Giovanni Battista Piranesi

Relevance Score: 0.9685

 An etching by Giovanni Battista Piranesi titled "View of the remains of the peristyle of the House of Nero" on paper. The work shows an evocative scene of ancient Roman architectural ruins with various columns, arches, and remnants of buildings portrayed in detailed lines and shades of gray. The light source from the upper right creates a dramatic contrast between the illuminated and shaded portions of the structures.

View of the remains of the peristyle of the House of Nero

Giovanni Battista Piranesi

Relevance Score: 0.9680

 Etching by Giovanni Battista Piranesi, titled "View of the remains of the Baths of Diocletian and Maximian," showing the detailed ruins of an ancient Roman bath complex with large standing walls, arches, and scattered rubble in various shades of gray, created through meticulous line work and shadowing to convey texture and depth.

View of the remains of the Baths of Diocletian and Maximian

Giovanni Battista Piranesi

Relevance Score: 0.9660

 An etching by Giovanni Battista Piranesi, "View of part of the upper hemicycle of Trajan's Forum," featuring detailed Roman ruins with diminishing arches and architectural fragments, with a more intact multi-leveled structure above, in black and white, evoking the grandeur and decay of ancient Rome.

View of part of the upper hemicycle of Trajan' Forum

Giovanni Battista Piranesi

Relevance Score: 0.9654

 Etching by Giovanni Battista Piranesi titled "Flavian Amphitheatre, called the Colosseum," depicting the ancient Colosseum in intricate monochromatic detail with multiple levels of arches and the contrasting textures of stonework and ruins, surrounded by faint foliage against a lightly suggested sky.

Flavian Amphitheatre, called the Colosseum

Giovanni Battista Piranesi

Relevance Score: 0.9652

 An etching by Giovanni Battista Piranesi titled "Remains of the Neronian Arches on the Caelian Hill," depicting a series of ancient, weathered arches in varying states of ruin with scattered figures of people for scale, rendered in fine lines and shades of gray.

Remains of the Neronian Arches on the Caelian Hill

Giovanni Battista Piranesi

Relevance Score: 0.9652

 Etching by Giovanni Battista Piranesi depicting the crumbling ruins of the ancient Temple of Minerva Medica in varying shades of gray, with intricate details of broken columns and a partially collapsed dome against a softly shaded background suggesting sky and clouds.

Remains of the Temple of Minerva Medica

Giovanni Battista Piranesi

Relevance Score: 0.9647

 Black and white etching by Giovanni Battista Piranesi titled "View of the remains of the side colonnade of the Temple of Antoninus Pius," depicting an ancient Roman ruin with detailed columns and arches, with a dramatic interplay of light and shadow conveying depth and texture.

View of the remains of the side colonnade of the Temple of Antoninus Pius

Giovanni Battista Piranesi

Relevance Score: 0.9643

 Etching by Giovanni Battista Piranesi titled "View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia," depicting Roman architectural ruins with cascading arches, broken columns, and overgrown vegetation, rendered in shades of black and gray on paper.

View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia...

Giovanni Battista Piranesi

Relevance Score: 0.9633

 Etching by Giovanni Battista Piranesi titled "View of the remains of the arches which carried the Acqua Claudia along the Aventine," depicting ruined arches of an ancient aqueduct amongst overgrown foliage in a grayscale palette, showcasing a contrast between former architectural grandeur and natural decay.

View of the remains of the arches which carried the Acqua Claudia along the Aventine...

Giovanni Battista Piranesi

Relevance Score: 0.9620

 An etching by Giovanni Battista Piranesi titled "Remains of a room belonging to the Praetorian Fort at Hadrian's Villa," depicting the ruins of a Roman structure with scattered stone blocks in the foreground, a partial wall with a doorway on the left, and a row of towering arches on the right, all rendered in shades of gray to show depth and texture.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa

Giovanni Battista Piranesi

Relevance Score: 0.9620

 "View of the remains of the Golden House of Nero" by Giovanni Battista Piranesi, an etching on paper depicting detailed monochromatic ruins with arches and walls amidst softer, sketched foliage in the background, using various shades of gray to convey textures and depth.

View of the remains of the Golden House of Nero

Giovanni Battista Piranesi

Relevance Score: 0.9600

 "Grotto of the Nymph Egeria, commonly called La Cafarella," an etching by Giovanni Battista Piranesi, showing a romantic view of an ancient Roman archway and surrounding ruins in a pastoral setting, with a single leafless tree to the right, executed in monochromatic shades of gray.

Grotto of the Nymph Egeria, commonly called La Cafarella

Giovanni Battista Piranesi

Relevance Score: 0.9591

 "View of the Ponte Rotto," an etching by Giovanni Battista Piranesi, depicting the remnants and single surviving arch of the ancient Roman bridge, Pons Aemilius, in a fine grayscale with detailed shadowing and varied textures to convey a sense of age and dilapidation against a backdrop of delicate clouds.

View of the Ponte Rotto

Giovanni Battista Piranesi

Relevance Score: 0.9578

 Black and white etching titled "Remains of the arches of the aqueduct which carried the Acqua Claudia" by Giovanni Battista Piranesi, depicting the ruins of an ancient aqueduct amidst a landscape with trees and small figures for scale, in exquisite grayscale detail.

Remains of the arches of the aqueduct which carried the Acqua Claudia ...

Giovanni Battista Piranesi

Relevance Score: 0.9557

 Etching titled "Tomb of the Scipios" by Giovanni Battista Piranesi, featuring an ancient round tomb with arched openings set on a hillside amidst a wild landscape with figures, rendered in monochrome with detailed lines and contrasting shades of black and gray.

Tomb of the Scipios

Giovanni Battista Piranesi

Relevance Score: 0.9544

 Monochromatic etching by Giovanni Battista Piranesi titled "Interior view of the Pantheon" featuring the iconic coffered dome with a central oculus, large columns, a checkered marble floor, and a few figures, all rendered in varying shades of grey to illustrate depth and texture.

Interior view of the Pantheon

Giovanni Battista Piranesi

Relevance Score: 0.9534

 A black-and-white lithograph by Auguste Etienne François Mayer titled "Kirkeruin på Tautra i Trondheimsfjorden," portraying the ruins of a church with a prominent archway at its center, surrounded by crumbling walls and overgrown foliage. A figure leading a horse is visible to the right, adding a sense of scale and life to the scene. The artwork's serene and detailed monochromatic depiction captures the texture and atmosphere of

Kirkeruin på Tautra i Trondheimsfjorden

Relevance Score: 0.9524

 "The Man on the Rack" by Giovanni Battista Piranesi, an etching depicting a man being tortured on a rack in a dark dungeon-like environment with detailed stonework and arches, surrounded by obscure figures. The image has stark contrasts between light and shadow, providing a sense of depth and texture in a monochromatic palette.

The Man on the Rack

Giovanni Battista Piranesi

Relevance Score: 0.9520

 Etching by Giovanni Battista Piranesi titled "The Pier with a Lamp," depicting a cylindrical pier with a lamp atop, surrounded by dark, vaulted ceilings and archways in shades of black, white, and gray. The artwork conveys a sense of classic architectural grandeur through its dramatic use of light and shadow.

The Pier with a Lamp

Giovanni Battista Piranesi

Relevance Score: 0.9517

 Lithograph by Auguste Etienne François Mayer titled "Katharinakirken i Visby" displaying the interior ruins of St. Catherine's Church in Visby with towering Gothic arches, pillars, and figures exploring amidst the ruins, rendered in sepia tones.

Katharinakirken i Visby

Relevance Score: 0.9517

 "Ruinene av Petrikirken i Sigtuna," a lithograph on paper by Auguste Etienne François Mayer, portrays the historical ruins of a church with a fragment of a tower standing amidst crumbling walls, set in a serene landscape with small figures near the ruins under a clear sky, rendered in sepia tones.

Ruinene av Petrikirken i Sigtuna

Relevance Score: 0.9516

 "The Lion Bas Reliefs" by Giovanni Battista Piranesi, a detailed monochromatic etching depicting an imagined scene of classical ruins with arches, columns, and a lion bas relief, in varying shades of gray that evoke texture and depth.

The Lion Bas Reliefs

Giovanni Battista Piranesi

Relevance Score: 0.9511

 "Murene i Visby," a grayscale lithograph by Auguste Etienne François Mayer, presenting a serene depiction of medieval ruins with towers and remnants of walls next to a body of water, featuring a distant sailing ship and diminutive figures in the foreground.

Murene i Visby

Relevance Score: 0.9509

 Monochrome etching by Giovanni Battista Piranesi, "The small church of S. Carlo at the Four Fountains," showing a baroque church with an elaborate facade, beside a row of period buildings, using shades of grey to depict light and shadow, and conveying a historical urban scene.

The small church of S. Carlo at the Four Fountains

Giovanni Battista Piranesi

Relevance Score: 0.9507

 Black-and-white etching by Anders Fredrik Skjöldebrand titled "Kyröskoski," showcasing a dramatic landscape with rugged rocks on the left, a still body of water in the distance, and a dynamic, cloud-filled sky, all rendered with a rich variety of grays, emphasizing texture and natural beauty.

Kyröskoski

Relevance Score: 0.9495