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Related objects for NG.K&H.1966.0152.
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Etching by Giovanni Battista Piranesi depicting the crumbling ruins of the ancient Temple of Minerva Medica in varying shades of gray, with intricate details of broken columns and a partially collapsed dome against a softly shaded background suggesting sky and clouds.

Remains of the Temple of Minerva Medica

Giovanni Battista Piranesi

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Relevance Score: 1.0000

An etching titled "Remains of the Temple of Castor and Pollux" by Giovanni Battista Piranesi, depicting the resilient columns and ruins of the ancient temple surrounded by trees and foliage, under a sky filled with expressive clouds

Remains of the Temple of Castor and Pollux

Giovanni Battista Piranesi

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Relevance Score: 0.9775

An etching by Giovanni Battista Piranesi titled "Remains of a room belonging to the Praetorian Fort at Hadrian's Villa," depicting the ruins of a Roman structure with scattered stone blocks in the foreground, a partial wall with a doorway on the left, and a row of towering arches on the right, all rendered in shades of gray to show depth and texture.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa

Giovanni Battista Piranesi

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Relevance Score: 0.9745

An etching by Giovanni Battista Piranesi titled "View of the remains of the peristyle of the House of Nero" on paper. The work shows an evocative scene of ancient Roman architectural ruins with various columns, arches, and remnants of buildings portrayed in detailed lines and shades of gray. The light source from the upper right creates a dramatic contrast between the illuminated and shaded portions of the structures.

View of the remains of the peristyle of the House of Nero

Giovanni Battista Piranesi

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Relevance Score: 0.9730

Black and white etching by Giovanni Battista Piranesi titled "View of the remains of the side colonnade of the Temple of Antoninus Pius," depicting an ancient Roman ruin with detailed columns and arches, with a dramatic interplay of light and shadow conveying depth and texture.

View of the remains of the side colonnade of the Temple of Antoninus Pius

Giovanni Battista Piranesi

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Relevance Score: 0.9729

An etching by Giovanni Battista Piranesi titled "Remains of the Neronian Arches on the Caelian Hill," depicting a series of ancient, weathered arches in varying states of ruin with scattered figures of people for scale, rendered in fine lines and shades of gray.

Remains of the Neronian Arches on the Caelian Hill

Giovanni Battista Piranesi

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Relevance Score: 0.9718

Etching by Giovanni Battista Piranesi titled "View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus" depicting the dramatic, shadowy ruins of an ancient Roman building with fragmented columns and arches, presented in a central rectangle on a sheet of paper with inscriptions below.

View of the remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus

Giovanni Battista Piranesi

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Relevance Score: 0.9703

An etching by Giovanni Battista Piranesi, "View of part of the upper hemicycle of Trajan's Forum," featuring detailed Roman ruins with diminishing arches and architectural fragments, with a more intact multi-leveled structure above, in black and white, evoking the grandeur and decay of ancient Rome.

View of part of the upper hemicycle of Trajan' Forum

Giovanni Battista Piranesi

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Relevance Score: 0.9696

Etching by Giovanni Battista Piranesi, titled "View of the remains of the Baths of Diocletian and Maximian," showing the detailed ruins of an ancient Roman bath complex with large standing walls, arches, and scattered rubble in various shades of gray, created through meticulous line work and shadowing to convey texture and depth.

View of the remains of the Baths of Diocletian and Maximian

Giovanni Battista Piranesi

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Relevance Score: 0.9674

Etching by Giovanni Battista Piranesi titled "View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia," depicting Roman architectural ruins with cascading arches, broken columns, and overgrown vegetation, rendered in shades of black and gray on paper.

View of the Arches of the Consuls Dolabella and Silanus enclosed within the Neronian arches of the Acqua Claudia...

Giovanni Battista Piranesi

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Relevance Score: 0.9647

An etching titled "View of the remains of the Amphitheatrum Castrense" by Giovanni Battista Piranesi, depicting the intricate ruins of a Roman amphitheater with arches and crumbling walls, surrounded by vegetation, under a moody, cloud-filled sky. Shades of gray enhance the textures and depth, with a framed border around the artwork on paper.

View of the remains of the Amphitheatrum Castrense

Giovanni Battista Piranesi

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Relevance Score: 0.9647

"View of the remains of the Golden House of Nero" by Giovanni Battista Piranesi, an etching on paper depicting detailed monochromatic ruins with arches and walls amidst softer, sketched foliage in the background, using various shades of gray to convey textures and depth.

View of the remains of the Golden House of Nero

Giovanni Battista Piranesi

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Relevance Score: 0.9635

Etching by Giovanni Battista Piranesi titled "View of the remains of the arches which carried the Acqua Claudia along the Aventine," depicting ruined arches of an ancient aqueduct amongst overgrown foliage in a grayscale palette, showcasing a contrast between former architectural grandeur and natural decay.

View of the remains of the arches which carried the Acqua Claudia along the Aventine...

Giovanni Battista Piranesi

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Relevance Score: 0.9602

Etching titled "Tomb of the Scipios" by Giovanni Battista Piranesi, featuring an ancient round tomb with arched openings set on a hillside amidst a wild landscape with figures, rendered in monochrome with detailed lines and contrasting shades of black and gray.

Tomb of the Scipios

Giovanni Battista Piranesi

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Relevance Score: 0.9602

Etching by Giovanni Battista Piranesi titled "Flavian Amphitheatre, called the Colosseum," depicting the ancient Colosseum in intricate monochromatic detail with multiple levels of arches and the contrasting textures of stonework and ruins, surrounded by faint foliage against a lightly suggested sky.

Flavian Amphitheatre, called the Colosseum

Giovanni Battista Piranesi

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Relevance Score: 0.9596

Black and white etching titled "Remains of the arches of the aqueduct which carried the Acqua Claudia" by Giovanni Battista Piranesi, depicting the ruins of an ancient aqueduct amidst a landscape with trees and small figures for scale, in exquisite grayscale detail.

Remains of the arches of the aqueduct which carried the Acqua Claudia ...

Giovanni Battista Piranesi

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Relevance Score: 0.9587

An etching by Giovanni Battista Piranesi titled "One of the two arches of Stertinius in the Forum Boarium," showcasing a detailed and shadowed Roman arch in ruins amidst other ancient structures, rendered in shades of gray on paper, capturing the essence of historical decay with dramatic light effects.

One of the two arches of Stertinius in the Forum Boarium

Giovanni Battista Piranesi

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Relevance Score: 0.9586

"The Lion Bas Reliefs" by Giovanni Battista Piranesi, a detailed monochromatic etching depicting an imagined scene of classical ruins with arches, columns, and a lion bas relief, in varying shades of gray that evoke texture and depth.

The Lion Bas Reliefs

Giovanni Battista Piranesi

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Relevance Score: 0.9576

Monochromatic etching by Giovanni Battista Piranesi titled "Interior view of the Pantheon" featuring the iconic coffered dome with a central oculus, large columns, a checkered marble floor, and a few figures, all rendered in varying shades of grey to illustrate depth and texture.

Interior view of the Pantheon

Giovanni Battista Piranesi

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Relevance Score: 0.9576

An etching titled "View of the interior of the Flavian Amphitheatre" by Giovanni Battista Piranesi, showcasing the detailed and textured ruins of the Colosseum with a dramatic contrast between the darkened interior foreground and the lighter arches and upper levels in the background, all presented in grayscale.

View of the interior of the Flavian Amphitheatre

Giovanni Battista Piranesi

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Relevance Score: 0.9565

"View of the Ponte Rotto," an etching by Giovanni Battista Piranesi, depicting the remnants and single surviving arch of the ancient Roman bridge, Pons Aemilius, in a fine grayscale with detailed shadowing and varied textures to convey a sense of age and dilapidation against a backdrop of delicate clouds.

View of the Ponte Rotto

Giovanni Battista Piranesi

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Relevance Score: 0.9564

"Grotto of the Nymph Egeria, commonly called La Cafarella," an etching by Giovanni Battista Piranesi, showing a romantic view of an ancient Roman archway and surrounding ruins in a pastoral setting, with a single leafless tree to the right, executed in monochromatic shades of gray.

Grotto of the Nymph Egeria, commonly called La Cafarella

Giovanni Battista Piranesi

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Relevance Score: 0.9560

An artwork depicting classical ruins in shades of brown and beige set against a sky with cream, light blue, and gray clouds. The artwork is surrounded by a bright orange marbled matte and housed in a dark picture frame with a hanging mechanism at the top.

Broderi

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Relevance Score: 0.9521

"Klassiske ruiner" by Francesco Gadi is an oil on canvas painting depicting ancient classical ruins with broken columns in earthy browns against a background of faded architectural structures, all rendered in a palette of deep blues, browns, and greys to convey a sense of historical decay and nostalgia.

Klassiske ruiner

Francesco Gadi

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Relevance Score: 0.9499

"The Man on the Rack" by Giovanni Battista Piranesi, an etching depicting a man being tortured on a rack in a dark dungeon-like environment with detailed stonework and arches, surrounded by obscure figures. The image has stark contrasts between light and shadow, providing a sense of depth and texture in a monochromatic palette.

The Man on the Rack

Giovanni Battista Piranesi

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Relevance Score: 0.9499

Monochrome etching by Giovanni Battista Piranesi, "The small church of S. Carlo at the Four Fountains," showing a baroque church with an elaborate facade, beside a row of period buildings, using shades of grey to depict light and shadow, and conveying a historical urban scene.

The small church of S. Carlo at the Four Fountains

Giovanni Battista Piranesi

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Relevance Score: 0.9498

Etching by Giovanni Battista Piranesi titled "The Pier with a Lamp," depicting a cylindrical pier with a lamp atop, surrounded by dark, vaulted ceilings and archways in shades of black, white, and gray. The artwork conveys a sense of classic architectural grandeur through its dramatic use of light and shadow.

The Pier with a Lamp

Giovanni Battista Piranesi

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Relevance Score: 0.9484

"Murene i Visby," a grayscale lithograph by Auguste Etienne François Mayer, presenting a serene depiction of medieval ruins with towers and remnants of walls next to a body of water, featuring a distant sailing ship and diminutive figures in the foreground.

Murene i Visby

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Relevance Score: 0.9480

"Ruinene av Petrikirken i Sigtuna," a lithograph on paper by Auguste Etienne François Mayer, portrays the historical ruins of a church with a fragment of a tower standing amidst crumbling walls, set in a serene landscape with small figures near the ruins under a clear sky, rendered in sepia tones.

Ruinene av Petrikirken i Sigtuna

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Relevance Score: 0.9469

Lithograph by Auguste Etienne François Mayer titled "Katharinakirken i Visby" displaying the interior ruins of St. Catherine's Church in Visby with towering Gothic arches, pillars, and figures exploring amidst the ruins, rendered in sepia tones.

Katharinakirken i Visby

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Relevance Score: 0.9466